![]() ![]() Among those artists, she mentioned Charli XCX, Marina and the Diamonds, Bebe Rexha, and Becky G. Perry added that she has shown support to a lot of her favorite artists by including them on her past tours. “I know how it feels, and I know the challenge and how hard you got to work.” ![]() “I love supporting women and new artists because I’ve walked in their shoes,” she said. She noted that she sees herself in the new generation of pop stars. 6), Perry was asked about the artists she’s listened to and championed over the years. In an interview with Rolling Stone published on Thursday (Oct. She might return to her alt-pop roots, bolstered by the emo pop-punk revival that has swelled in the last few years, or even dedicate herself even more thoroughly to the art of out-and-out show building, clearly satisfied by the creative challenge of her residency.Becky g and Katy Perry ❤️❤️ /aKU0gSj1PS Given how many rookie K-Pop idols have openly cited her as an inspiration, a collab in that space would be a smart way to reconnect with a younger audience, building on her mentoring status from American Idol. Though anti-stans make love to joke about Katy Perry’s run of ‘flops’, I have every faith that with the momentum of Play, she can roar triumphantly again. “Maybe I'll leave Vegas, but I want to go back to another show, which might not be “PLAY”. With societal changes, it seems we are finally becoming more accepting of artists who chose to be both mother and Mother, rather than focusing solely on the idea of the teen sensation as the only person deserving of pop success.Īccording to the Las Vegas Review-Journal, Katy Perry’s #ᑭᒪᗩY residency is expected to last between 3 to 5 years, but Katy Perry intends to take breaks for a world tour: From Beyoncé’s Renaissance and Lady Gaga’s Chromatica Ball right through to upcoming albums from Rina Sawayama, Jessie Ware and Shygirl, there appears to be more space for upbeat, escapist records, made by women in their thirties who know who they are and can experiment with confidence. ![]() Things have changed significantly since Perry was on top in recent years, stars like Billie Eilish, Olivia Rodrigo, Taylor Swift and Ariana Grande have adopted a kind of sonic melancholy that was never really Perry’s style, taking cues from the mood of a nation.Ģ022, however, appears to be a little different. With the Play residency coming to an end in October, fan discussion has turned to what she might do next, whether the time is ripe for an artist of her ilk to make a fully-fledged comeback in the conversational zeitgeist. Though Perry’s life has become more stable - a relationship with Orlando Bloom, a new baby, the acceptance of self that comes in one’s thirties - there is still a sense that she might have even more to give musically. Even in recent years, many artists have picked up tips from her kooky yet resilient arsenal Doja Cat, Kim Petras, even Harry Styles, with his insatiable appetite for fruity innuendo that still manages to feel family-friendly. One of few music documentaries at the time to really go no-filter, it only solidified Perry’s brand, heralding a whole new era for the ‘imperfect’ solo popstar. Released in 2012, her documentary movie Part Of Me was surprisingly weighty, dealing with the breakdown of her marriage to Russell Brand while on the biggest tour of her career. Ballads ‘Thinking Of You’ and ‘Wide Awake’ are often cited as fan favourites, while ‘Firework’ dug deep from a place of uncertainty to create one of her biggest bangers (no pun intended), a staple of rousing coming-of-age montages. When things got more serious, she could hold her own too. As they would say on Ru Paul’s Drag Race, she was – still is – a campy queen, and everything from the halter-neck swimsuits to the namechecking Americana patriotism - ‘Waking Up In Vegas’, ‘California Gurls’ was designed with feel-good intention. While a song like ‘Ur So Gay’ certainly wouldn’t fly by today’s standards (and rightfully so), her debut album ‘One Of The Boys’ demonstrated her ability to subvert this 1950s housewife aesthetic, offering a clowny wink as she cracked cheeky jokes. Riffing off the same Manic Pixie Dream Girl aesthetic that was also been lauded upon her close lookalike, Zooey Deschanel, she was something of a retro pin-up fantasy in the noughties, pop but with the kind of Urban Outfitters guitar-playing appeal that even the snobbiest of music fans can’t help but approve. While 2008’s ‘I Kissed A Girl’ marked her huge global breakthrough, she was never afraid to harness a tongue-in-cheek opportunity, whether it was rollerskating behind scene-king boyfriend Travie McCoy in ‘Cupid’s Chokehold’ or bouncing around with 3Oh!3 for the pop-punk adjacent ‘Don’t Trust Me’ (a song currently experiencing a low-key second life on TikTok). ![]() Another night with giving us a incredible show at her residency #PLAY in Las Vegas ✨? /WSQN998xyy- Katy Perry: PLAY August 7, 2022 ![]()
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